The Darjeeling Limited is a pretty interesting movie. Especially
in regards to how it shapes its themes. All three leads in the film
all have gaping flaws that shine out through everything else, Francis
(played by Owen Wilson) throws money around like water from a
fountain and its made very detached from the people around him. Peter
(portrayed by Adrien Brody) has a wife who is extremely pregnant but
he opts to go on a trip to india with his brothers without telling
her (this is something that even shocks his two brothers). Finally,
there's Jack(played by Jason Schwartzmen) who is.... really good at
picking up women.
The three brothers reunite after a year away from each other and
try to enjoy a trip around India. The problems between them kick in
as Francis starts ordering everything for the brothers and is
oblivious to their displeasure. Francis seems to disregard the
feelings of pretty much everybody (a serious case of Rich in Dollars,
Poor in Sense).
http://tvtropes.org/pmwiki/pmwiki.php/Main/RichInDollarsPoorInSense
This reaches it's tipping point when Francis buys and smuggles a
poisonous cobra onto the train they're staying on and even after
being caught with it still tries to talk his way out of trouble.
(Funny how Owen Wilson basically plays the same character in
everything he's in but here he's actually meant to be dislikeable).
Another valid reason for the brothers many issues is their mother
who abandoned them years ago and continues to lie about wanting to
make things better not even attending her husbands funeral which took
place a year before the film began. It turns out that the real reason
that Francis reunited with his siblings is to find her and he has
located her in a temple in the Himalayas. In any other movie it would
be a tear filled reunion with happy endings for all but here it's
build up and then she's gone again cementing her status as a horrible
mother. Her dreadful treatment of her sons is probably a huge
contributor for their own issues and when she abandons them again
it's made clear to both the audience and the brothers that the whole
journey was a wild goose chase. They may want to be with her but she
has no interest in that. At the end of the film the brothers run for
the train but realise that they won't make it carrying all their
luggage (say another word for luggage is baggage isn't it?) so they
start dropping their “luggage” and run to successfully board the
train leaving their “luggage” in India. (Do you get it?!!!)
Subtlety and symbolism don't exactly go hand in hand during
certain scenes. The best example of this is a scene where the train
the brothers are on is declared “lost” and Francis (with the
subtlety of funnily enough, a trainwreck) outright states maybe we're
they're the ones who are lost, thankfully Jack and Peter both look at
him like he's grown a second head.
But apart from symbolism subtlety that is severely lacking the
film definitely knows how to do itself very well and draws its
audience in with strong character development and a genuine
indication of the fact that these 3 brothers really are lost in a
world that is doing zero to help them and it makes you care for them
as a result and cheer when they conquer the things holding them down
be it their egos, their horrid mother, the death of their father or
everything else between India and their homes.
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